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Stamatis Spanoudakis: “A thanks in Amphipolis” (VIDEO)
By posting the great song “He lives and reigns” that is from the first disc of Alexander the great, the great artist wrote : “A thanks in Amphipolis” and “broke” each record in notifications and like.
Stamatis Spanoudakis, Indeed, the continued “Thanks” of, by posting what he had written on the second disc of Alexander the 2008, as a prologue to the second job:
To letter to Alexander:
“A letter to Alexander, op’ opportunity of my second drive’ This: “Roads that are not perpatises”. It is time that you wrote and your tha΄thela to explain why I write again now, Thirteen years after that first, symbolic, for me at least, A letter letter., that gave me a lot of power and went into the streets, that maybe it always was my own, but don't ' Cha figured as then. It took the form of the secret, but your presence so intense, to understand and to go.
It is roads that are too perpatises and others, not perpatises.
These secondary I to thee “pour», walking for awhile now, Mazi Sou.
Internal roads, roads of fantasy and fairytale, roads of the East, roads of the West. The Silk roads, but also of the Byzantine Empire, streets of suspicion of the true God and streets of healthy certainty. Streets of affection, streets of love, roads sweat, pain and blood roads. Streets life, death roads and streets, anastasimoi.
These roads may not find them all in my music, but it's definitely, incised forever in my soul. Because the music is “art "and art and crafts and has unfortunately logic (human tools, in which child hesitate to trust the really important in my life). But soul is true blast, pure and eternal. This listen. And forgive, that in approaching once again and try to get in touch, only with my own weapons, music and my words.
You Know, I live in an age, that the “poetic licence ' tends to be replaced by the “Terminal ' and every historical Moro-neoellinas sees history, as they're dictating the antiquated, and usually self-serving, I think of. So, I feel now, more than ever, the need, to continue to “cuddle with my music and you, But what,What else is really yours and ours.
WHAT,What is, It was and always will be, Greek.
I say our own, Why, Thank goodness, We are many who think so and my hope is that it will become more and more. Because the truth has this. Quietly and secretly gathers around her “real faces ", waiting time, or man, to look.
So, and your opening again for my little soul, to leave, Unfortunately in the hands of people, not in’ loved and not to understand.
But mostly to leave to safer museums on Earth. Our hearts
With much love
Stamatis Spanoudakis 2008
[youtube http://www.youtube.com/watch?v = L9kGlwrL3E8&w = 420&h = 315]
What is the next “step” the archaeologists on excavations of Amphipolis
While excavation work is progressing in Amphipolis and time that culminates the agony for the occupant of the Tomb, the surprises from the Tumulus Kasta succeed one another and cause once again thrill.
According to what he gave on Friday published in the Ministry of culture established the existence of stamping by pwrinoys stone flooring. There are the parts of the floor which are in contact with the side walls, the excavation team believes that the pwrinoi stones in the third and last Chamber of the monument are, eventually, horizontal wall sealing. “During excavation, as we have already mentioned, showed the existence of stamping by pwrinoys flooring stones» referring inter alia to the Friday announcement.
At the same time the announcement mentions that during his fourth space apochwmatwsi found the existence of an artificial pit-trench- on natural soil rather uncommon schist, 4Ch2 surface, 10 m., which the Ministry insists not to characterize crypt.
However, the existence of trench-which has dimensions of a large room- Sparks new concerns in the scientific community. The Honorary Curator Katerina Romiopoulou speaking on free press explained: “There is no other example in Macedonian Tomb. To find that indeed it is artificial excavation must be found inside an element. If you don't find anything inside will stay as excavation by semicolons ". At The Same Time, told the newspaper The New: “If the rock chipped to do the excavation, who can the did and why; Does contain some box, Larnaca or bed; Cases only we can do once we're not experts on treasures of Pirates of the Caribbean. Because most opposite in this monument are like the Aladdin. We go with the lamp but we don't know what we will find».
Another archaeologist wonders: “This is cache that was created during the construction of the monument or did for applicator dug in retrospect to place there the marbles, as the head and feathers of the Pharaohs "; According to the publication of the free press, such thinking suggests that the creation of the trench may coincide with the creation of wall sfragistikwn “were raised to protect the monument from vandalism. Terms for being “applicator» in the third Ward recently asserted and Professor of Archaeology at the ARISTOTLE UNIVERSITY of THESSALONIKI Chrysoula Paliadeli.
It should be noted that the new development concerning the excavation of the now lifted and any doubt that the Tomb might not have been looted by Tomb robbers. The point is though when invaded the monument. The sylisan more than once; When sealed; How found the door under the floor; The sandy earth entered by human hand;
“The unfortunate thing is that there has been neither a mobile discovery, a currency, a shell, especially in the third ward " Commenting on the New experienced archaeologist. “It is possible to spend their Tomb robbers and not broke a vase; Not dropped something; It is as if someone is too sweeping and erase traces», Adds.
The most erotic statue of all time!!
We have many statues and remarkable. But this goes beyond every limit. A couple in full harmony physical, until you cut the breath. Artistic combination of incredible beauty, where it is clear: the man proudly displays the woman and the woman shows ataracha the perfect man. Male, with vigorous male body, yearning every young woman. Woman, rich body, a nymph female creature, strapped like bostrychos around the man. In perfect contact two young. A dazzling picture of youth.
National Geographic: Persephone keeps the "key" for the occupant of the Tomb
What is inside the tumulus Kasta;
Ministry Of Culture & Sport (12/10/14):
“The central image depicts chariot in motion, drawn by two white horses, (foto 3), which leads bearded man, with laurel wreath on the head (foto 4). In front of the chariot represent the god Hermes as psychopompos, who modified petaso, mantle, winged sandals and holds the Caduceus (foto 5). The composition has direction from East to West.” CONTINUE THE READING
The short history of Amphipolis
The archaic name of Amphipolis, was nine Roads. The three were from the right side of the river Strymon and six from the left side. When, the Persians and proelaynan Xerxes against Greece, they arrived in the nine streets, buried alive nine young men and nine virgins of the city, as a sacrifice in Persian custom for the successful outcome of their campaign against the Greeks. CONTINUE THE READING
Is the Mother of Alexander the Great in the Tomb at Amphipolis?
By Andrew Chugg*
I wrote my initial article on this question on the morning of September 6th (a day before the announcement of the discovery of the caryatids) and I drew a number of inferences from the evidence then available:
DANGEROUS RELATIONS ": NATION, ARCHAEOLOGY AND POLICY
Stathis Gotsis and Olga Sakali
For the excavation in Amphipolis have written and said many far. And certainly more will follow, καθώς η αρχαιολογική έρευνα θα προχωρά. However, the importance of finding and outcome of relevant scientific debate, looks like you have already formatted the conditions that will leave their mark in future archaeological site stuff.
The embrace of an ongoing excavation (particularly in its early stages) the Prime Minister is certainly novel, as well as the communicative noise that erupted thereafter. It was not however random phenomena. It is now apparent that the a priori connection of the monument to Alexander the great (or ... even with the circle of) tapped by the rulers as an excellent opportunity to exercise policy, both internal (at a time when some believe that the restoration of the national morale can overcome the social consequences of long-term policy mnimoniaki) external and against an opponent nationalism, even as diplomatic upgrade of paper the country's international image.
Regardless of the communicative benefits may temporarily confer in Government camp, the case of Amphipolis tends to establish a new model of excavation research and management of monuments. Firstly, the same finding virtually ' blackmailed ' to fulfill expectations (and prophecies) both as to the nature, dating and its content and the pace with which will "reveal the secrets and the resident's identity». Under these conditions, invoking the principles of conduct strikes as one about emmonikos and certainly outdated reason a scientific Guild. The proposed new model has been formed: preliminary assumptions are godsend trapping the very course of research, While the ' value ' of find is determined by its ability to connect with a narrated glorious national past, branded persons or impressive wealth. End, the excavations must proceed quickly or be adapted to times serving short-term pursuits.
The Government's interest in the case of Amphipolis just reinforces this new model excavational research and management of monuments, while attempting to obscure the politics exerted on monuments, as reflected in the effort lasting weakening of the archaeological service, both through institutional interventions as well as under-financing and ypostelechwsis of. It was the first Government Samara, Besides, He downplayed the 2012 the Ministry of culture to the General Secretariat of the Ministry of education, While the longer he culminated the Ministry planned to work, According to the new body of, by syrriknwmenes on 40% organizational units of.
In fact, of course, the obsolescence of the monumental wealth of the country which does not meet the requirements of the "model of Amphipolis ' is from years here: recorded in the abandonment of dozens of archaeological sites and monuments, the degradation of archaeological research, the way in which they managed even exceptional historical value findings (with best example the monumental set of Byzantine Thessaloniki that was revealed at the Metro station at Venizelou). Current developments auguring the consolidation of such a direction.
In the "model of Amphipolis», though, adopted, at the same time, and a new type of communication management, just to serve the objectives for which has already been mentioned. Triggered a wide-ranging public debate on the archaeological find, which is fed regularly with informational material from the communication organ of representation neokopo of excavation, but with statements by politicians. The objections of the Association of Greek Archaeologists and other, how the emerging situation poses dangers for the smooth and proper conduct of scientific excavation, contradicted by the seemingly plausible argument that this is an "open" excavation and that it is useful to have full public information. However, how "open", i.e. accessible really is an excavation through press releases that contain specific terminology; What is the procedure for becoming a partaker of a scientific process consuming incomprehensible information causing AWE and confusion; How much wiser becomes the non-initiated reader or viewer that rather "being driven through the overload of information», When the dictum of Umberto Eco;
In space, Moreover, public archaeology, the concepts of ' open ' excavation, «Open» museums and archaeological sites describe entirely different communicative actions, structured and targeted efforts of active public participation in interpretative recruitment procedures and understanding of past societies. In this area and experience already exists in our country.
The excavation of Amphipolis, Therefore, It is not "open". Not only because, as is reasonable, No one has physical access to it, beyond those directly involved, but because the communicative management did not contribute in any way nor the public acquaintance with the past and the residues of materials or, much more, familiarity with issues in methodology and interpretation.
If there is eventually a crucial question, It's not who is buried in the grave or when dating the find, But if the "model of Amphipolis ' will prevail in Greek archaeological fact. And this question does not only concern the specialists.
Stathis Gotsis is historian, President of Club Officials MINISTRY Single Attikis, Mainland and Islands and Olga Sakali President of the Association of Greek Archeologists.
Is This Alexander the Great's Tomb?
One of biggest mysteries of modern archaeology might be solved in the coming days—and all eyes are on a huge circular structure that lies beneath an ancient Greek mound.