The mystery of the skeleton of Amphipolis

Brilliant piece in the history of Greece considered the Monument in Amphipolis, having won the interest of the international scientific community.
Photographs of the skeleton, that gave the team of archaeologists, is the newest element that came to light, at a time when the world's archaeological community continues the scenarios and considerations about whether the deceased is a wealthy Macedonian, a glorious strategist, one relative of Alexander or even himself stratilatis.
With the mystery of the skeleton that may reveal many deals this week Antonis Sroiter through the broadcast of the "Autopsy". The emission of ALPHA camera speaks Manolis Papagrigorakis, Professor of orthodontics, who headed the team that had the face of Myrtidas reconstruct, the young Athenian who "lost" before 2.500 years in the great plague of Athens and the skeleton, found in the Tuileries. "From the skull has been found we can learn a lot," says the journalist, While it stresses that "If a tooth has decay can be seen feeding and from there with what fed. Will show us and information era, If you put wood or metal residues, If you find a fruit, These are all elements which define the environment. The skull can give us information if it was male or female. It depends, of course, from an early age. It is of course too difficult to determine from a skull, because the age emerges indirectly. If DNA analysis we will find exactly».

Scientists place great importance on the teeth that can be present in the skull. "It is a matter of weeks to see if there is a relationship of the skeleton with Philip», stresses with meaning to Anthony Sroiter Chris Giapitzakis, Geneticist – Assistant Professor Neyrogenetikis, While noting that "depends on the quality of the ancient DNA and DNA polymorphisms by how many we'll see, to compare if there is a family relationship or not. We can learn whether father or son. We could learn if there is affinity paternal origin, If it is uncle to nephew. There is a y chromosome that is inherited from father to son. Is the so-called male inheritance. It would seem because half the genes of Alexander would be Philip. I was pleasantly, but the unlikely event! If you are female you will not see affinity. If it was though, woman, congenital with Philip, I was looking at some parent type inheritance genes in mitochondrial DNA that we inherit from our mother. All Europeans come from 7 women and 10 men. So in some of these families would be. You could say that resembles the modern inhabitants of the Peloponnese or of Crete».

Tonight, at 23:45, Antonis Sroiter through the frequency of ALPHA makes "Autoplay" the findings of the excavations of Amphipolis trying to shed light on the mystery of "inhabitant" of the Tomb.

newsit.gr

COULD BE THE KING OF THRAKON OF PAGGAIOU, RISOS, THE DECEASED'S TYMBOY AFIRWISMENOS TIS AMFIPOLIS;

In the sheet 30/9/2014 Kavala ChRONOMETRO newspaper, as well as in electronic version, in the context of the publication of a series of my articles titled "GODS, IMITHEOI AND BASILIADES IN THE MYTHOLOGY OF THE AREA MOUNT PAGGAIO PERI ", I referred extensively to the mythical King of the Thracian pangeo, the Riso, saying, already in the prologue of my articles, I quote the following: "Most very impressed with the fact that the monument every day it reveals archaeologists did not known until today form of the Macedonian tombs, but it seems like n ' copies some devotional cave pangeo, like the one in which Euripides placed the mythical King of the Thracian pangeo, the Riso, in the eponymous tragedy........... My reflections, well, does under the great tumulus of Amphipolis, with the Sphinxes that foretell the coming events, Apart from the grave of a epifanestatoy man, hiding and some Premier, spilaiiki worship, leads me to wade in ancient these myths and legends of Paggaio.... "

And although the Riso for referring to what in my related article I wrote, which you can see in the following link: http://www.xronometro.com/risos-paggaio/

The Occasion, though, to return to the ancient hero of Pageos, This new publication, It was the fact that, shortly after the publication of my article above for Riso, in the majestic tomb of the Hill "Kasta" of Amphipolis found, beneath the floor of the third Chamber, a tomb with the disturbed bones of a dead, to which, According to an announcement of the Ministry of culture, assigned hero cults. Who, though, could be the afirwismenos dead, the hero worshiped beneath the majestic monument which revealed the archaeological hoe;

In principle, I do not intend (and I can't) n ' go against the special scientists excavate the Tomb, getting, though, given the above as an announcement of the Ministry of culture, accepting, i.e., I do that in the majestic tomb of Amphipolis hero values ascribed to some dead, (even if he's not found buried beneath the third Chamber), dare, based on my knowledge of scarce, (knowledge of a simple filistoros), Add me too a case, in many cases they see everyday light, trying, though, to substantiate my case this becomes more effective.

As I mentioned in my article for the Riso, When the Athenians wanted to put their foot in rich, metalloforo area of Paggaio and decided, the 437 e.g., to send a group of settlers in the city of Nine streets of Struma, with settler in Agnwna, had to legalize their presence there. So, during the 3rd year of the 85th Olympiados...;. Let's leave, though, the Polyaino, in the 6th book of his ' Stratigimatwn ', to narrate the continuity:

 

 

XRISMOS

XRISMOS 1

Your quote above, in free translation:

"The Agnwn began to establish new York colony, wanting to colonize the so-called Nine Streets, on the Struma ' Existed but the following Oracle to the Athenians:

You're nothing willing, sons of the Athenians, to forcibly build in polypodaro place; It will be difficult for you, without the will of the gods. Why is not meant (to accomplish), before you find and bring by Troy the relic of Risos and hide it with brilliance in paternal of Earth. Only then could you to obtain glory. After God gave him the Oracle, General Agnwn sent men in Troy, that night they opened the tomb of Risos and took the bones. And after they placed the bones in a red mantle, bring on the Struma. But the barbarians who occupied the place that, the hold back to cross the river. Then the Agnwn concluded three days of libations with the barbarians and thus the night passed away and after the Struma, along with his characteristically, the hand bones of the Risos buried beside the river, Since it destroyed the ditch, built wall beneath the Moon. The day did not work and the entire project was executed in three nights. Once the barbarians, After three days, they came and saw the wall, reproaching the Agnonas, that violated the libations. He, though, He said that he did nothing wrong, because the libations spoke for three days, not for three nights. In this way the apoikise nine Agnwn Streets and the city named Amphipolis».

Next, well, the river Struma, well the Agnwn buried the remains of the ancient King of the Thracian, the Risos, According to the Polyaino, While the historian Marsyas of Philippi, at Macedonian stories, It is even clearer, After stating that the colonists buried the remains of his son Struma, the Risos, on top of a hill, They rained the Struma, While just across the street from the monument erected for the hero, built an altar, He dedicated to his mother, the Muse Clio. («Church of Clio in Ochi Amfipolei, the Risos founded across the monument, on the Hill, thereby».

Odysseus and Diomedes stealing the horses of Rhesus. Side A of the “Rhesos krater”Apulian red-figure krater, ca. 340 BC. Darius Painter. Altes Museum, Berlin, Germany

Odysseus and Diomedes steal his horses Risos

So the cult of the ancient King of the Thracian pangeo, the Risos, that existed since centuries among the Thracians, was one of the official cults of the new city. The irwopoiimenos, ancient King continued to be worshipped in Amphipolis and after its foundation, as I continued to be worshipped by all the Thracians, and not only of them inhabiting around the Pangeo. We Know, Indeed, that even up to the 3rd century a.d.. the Rhesus worshipped by the Thracian tribe of Bisswn Rhodope Mountains like God, with most known qualities of the Hunter and of the therapist, which is strongly reminiscent of another God of Thracian people of all ancient Thrace, the Main hero or Ember Knight, also God the healer and Hunter and for "what many authors consider that under the two names is the same great goddess of Thracian, the highly revered in "them, This Sabazioy Dionysus or Bacchus, whose relations with our hero confirms the epilogue of "RISOS" tragedy of Euripides, According to which, Rhesus o, genomenos anthrwpodaimwn of Dionysian procession, IE genomenos from man demigod, will forever be Prophet of Bacchus, hidden in the caves of the Earth of Paggaio hides silver, where, not only will the introduction of coming events, but will send himself the divine guidance to the prophets of the, for whom will be revered God. (Lyrics 967 subs. «..th γάρ s tayton pote, t ' opsetai demas eisin nor mother, kryptos d ' ypargyroy in antrois of chthonos, keisetai Gazer faos anthrwpodaimwn, Bacchus Prophet so Paggaio toisin eidosin wkise modest rock God»).

Believing, well, that the Hill "Kasta", where excavated the great, funerary tumulus, that the Kingdom of the Struma, until the 1960s drainage works 1930, fits perfectly in the descriptions of the ancient historians who quoted and has numerous chances, It was he who hosted the relics of Risos brought the Athenian colonists from Troy, resume:

There is the remarkable, devotional set, (This three cubicles, they were excavated in a tomb of Amphipolis), which was open and visited and used, Perhaps for centuries, for the price of one performance (or more;;) irwopoiimenoys dead, (in accordance, always, What we conclude from the communications of the Ministry of Culture and anaskafews). I Think, also, given the dating of worship set, at the end of the 4th BC. century. The Rhesus, though, He was buried on a hill, beside the river Struma, the 5th b.c.. century. This seeming contradiction leads me to make the following two assumptions:

If proved, by carbon method, how the dead found beneath the third Chamber of the cult series (as well as this very burial) build-time pre-dates the cult all, (as I believe), then I also believe that this devotional set was constructed over the tomb of the hero, just because the space was already sacred, because the Thracians and the Athenian colonists of Amphipolis worshiped there irwopoiimeno mortal (anthrwpodaimona, When Euripides) Riso and so, a member of the Macedonian, the royal dynasty, (Why not himself Alexander the great;) He chose to build the magnificent, burial Tomb over the place of ancient worship of the beloved hero – semi-God of Thracians, just in order to accept this, by residents of the famous city, cults and the values that fit in a hero like the mythical King of Pageos, for whom she had spoken to Homer and had dedicated an eponymous tragedy of the Evripides. Because it raises the legitimate question as to whether the bones are those of three thousand years, a possible answer is that because the Athenians said they brought is that bones of Risos, so you need to be; Could well find some other bones to the wrapped in purple mantle and presented with a view like the Risos, in order to fulfill the Oracle!

If, again, proven, always by carbon method, that the deceased was found is a contemporary of construction time of worship set, then you need to keep looking for, on the same hill and the cavernous gaps that, of course, he hides, the hero of Amphipolis, the Riso, but that again the Member of Macedonian, the royal dynasty, who built the funerary monument of the same site, to legalise the hero and price performance in his own person! In both cases, the tumulus of Amphipolis I'm sure will do countless generations of Greeks proud for the ancients our ancestors, the wonderful myths and the brilliant culture.

THODOROS LYMPERAKIS DIMOSTHENOUS STR.

xronometro.com

Found the oldest (;) painting (design) on the planet

Group of scientists announced that found the oldest planet's plan and it is a revolutionary discovery.

The plan dates back to before 500.000 years, It is a few lines of zik ZAK and found in Indonesia. It is not the
I first discovered the oldest design painted by human hand.

Many years ago, the researcher prehistory Francesco d'Errico, from the laboratory of Bordeaux Pacea, discovered what, in the opinion of the, It was the oldest painted representation. It was engraved on a piece of red ochre found in Africa's Blombos.


Source: hellenes-romaion.blogspot.gr

Amphipolis :New photos with Centaurs and Greek tripods.

Αποκαλύπτονται παραστάσεις και διακόσμηση ιωνικού κυματίου στα επιστύλια

Kas the maintenance work in the seven fragments of marble "epistyles"-they belong to the third and most sophisticated space funerary monument, the Hill Kasta- revealed, gradually, performances. Specifies that the position of the marble members, which are part of these, bear black and white decoration. They were mounted on top of the uprights of the walls and beneath the marble ceiling joists, which, as has been announced, bear, also, black and white decor, namely, imitation panels, with registered rosettes.

The upper part of a marble epistyle bring Ionic Wavelet decoration.

A Greek Sphinx and a Greek ' Delphic ' thousands of years Greek symbol tripod

In one of the sections of "epistyles", during the first phase of maintenance work, which is still in progress, distinguished in the Centre animal, likely a bull and two forms, on the go, female and male (Photo 1,2,3,4). The right of female and male ydries distinguished left and rotors forms. The right winged form directed to a three-legged boiler (foto 5). In many parts of the show, as to the garment and at the head of the female form, in the garb of male and winged form and on tripods, are evident traces of colors red, Blue and ochre

[youtube http://www.youtube.com/watch?v = FKUac4Kdicg?rel=0]


Source: hellenes-romaion.blogspot.gr

Painted decoration in Amphipolis

Amphipolis_new fotosPainted decoration is revealed gradually as maintenance work is progressing in the seven sections of marble architraves belonging to the third and most sophisticated chamber of the funerary monument, in the Casta hill of Amphipolis, announced the Greek Culture Ministry earlier today.

amphipolis2

The marbles, on which the decoration is painted, were placed over the uprights of the walls and beneath the roof's marble beams, which, as announced, also have painted decoration, namely imitation panels with attached rosettes.

amphipolis3

As stated in the announcement, in one of the segments of architraves, an animal figure can be seen in the middle, probably a bull and two forms on either side, in movement, one female and one male. Urns and winged creatures can be seen on each side, while the right winged creature is heading to a tripod boiler. In many areas of the depiction, such as the garment and the female figueres head, the males clothes, the winged creature and the boiler, one can observe traces from red, blue and ocher.

amphipolis4

Finally, the upper part of the architrave is also decorated in Ionian style.

http://greece.greekreporter.com

THE FORMS PARAPEMPOYN IN MARIA'S VICTORIES

Τι δική του άποψη σχετικά με τις παραστάσεις που είναι ζωγραφισμένες στα επιστύλια, expressed by the archaeologist Petros Themelis.

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In light of the publicity gave the Wednesday noon (03/12/2014) the Ministry of culture new photos from Amphipolis.

A few days after the marathon press conference that announced the end of the first phase of the excavations in Amphipolis, the Ministry of culture gave publicity photos from the third and Fourth Chamber!

This is for photos of the epistylia found in the third place of burial monument. In epistylia can discern an animal in the Center, likely going to bull and either two forms, on the go, one female and one male.

The newscast of NERIT, the archaeologist, Petros Themelis expressed the view around the shows that are painted in the epistylia found on the site of Karyatidon and for which was fuss!

Specific, Mr. Themelis stresses that the shapes and symbols that we see in epistylia mentioning all the victories of the dead. «We have to do symbolic victories of the deceased in races. The styles have a hand up, in "dancing" stops, It is a ritual that I do not know exactly which refers, in Thessaly was sacrifice Bull for example», reports by Mr. Themelis.

«Has a victory at least with wings, with a vessel down that is not pitcher, Maybe it's amphora Panathinaikos, symbolizing victory and also the right tripod, that and he's winning Prize», Stressing that the performances are dedicated to great victories of the dead.

NOTICE OF THE MINISTRY OF CULTURE

As they progress maintenance on seven marble sections of "epistyles"-they belong to the third and most sophisticated space funerary monument, the Hill Kasta- revealed, gradually, performances. Specifies that the position of the marble members, which are part of these, bear black and white decoration. CONTINUE THE READING

Amphipolis: He joined marquetry and fragments of the mosaic, of Karyatidas, of wings

ASSEMBLING WORK IN PROGRESS
Amphipolis: He joined marquetry and fragments of the mosaic, of Karyatidas, of wings
«Tell us, are of great artistic value; We see that they are beautiful, but they are really works of art;"we asked shortly after the end of the marathon presentation of excavation in Amphipolis. The answer was absolute and clear "are masterpieces. Unique creations attic workshops. "

Despite objections, the ambiguities, the questions, the questions that flared up more than taϊstikan with elements in excavation travelogue for Amphipolis which made Jamie Peristeri together with the architect Dimitris Lefantzi and the civil engineer Dimitri Egglezo, the undeniable fact is that it is a unique monument in the world. There is no precedent and this is obvious even now has not revealed any secret. It has only reveal the beauty of.

A beauty that will continue to unfold as became clear last Saturday in the presentation to the Ministry of culture. Experts are working intensively to assemble or to restore to life representations and images: The Caryatid without face, the mosaic with the abduction of Persephone and the wings of the Sphinx will continue to be disclosed if you acquire House. And cause even emotion in their Viewer.

The mosaics of Rapture of Persephone.
With speculation about why the large hole in the center of the mosaic depicting the abduction of Persephone to continue (There was an altar, looking for something the Tomb robbers, and so on.) the Peristeri Katerina revealed that Digger have found several pixels. Have cleaned studied and already has begun the process of assembling, They fitted in its correct position. The mosaic will reveal even more secrets, Although it is not clear yet to what extent. It is noted that the mosaic and the edging is one of the elements used by the excavation team for the dating of the monument in the last quarter of the 4th century BC.

The Caryatid without face
Won the face of Karyatidas the Tomb robbers; No, This was not, Katerina Peristeri and assures Jamie Lefantzis. The fall of a spar broke the face. If it had been removed with a chisel or other tool would be no cracking horizontal in sculpture. Apparently tumbling the beam hit the nerve of marble and took away the whole piece.

We found fragments and pieces of, gathered, studied and will be followed by an effort to join in person, to complete the picture.

The Sphinxes will "fly"
It was the first finding which caused AWE, and global interest and suspense: The Sphinxes guards at the entrance of the monument. There we saw the Prime Minister bends over with admiration. The Lady Peristeri explained how they have found several fragments of feathers which have already made their welding in order to create as much as possible the spread of wings (without prejudice to the possibility of full recovery) and to complement the beauty and art of Sphinxes. We remind that the height of the statues are 1,45 m while in their bodies that are crafted with fine ntisilidiko, imprinted the plasticity and the high art of sculptors of the era.

The secrets that will tell us the human figures
And for the end we kept a finding which I never saw and revealed himself as the Minister Kostas Tasoylas in recent visit to Amphipolis: Performances with human forms in epistylia, detected before about two months and transferred in secrecy at the Museum of Amphipolis (meaning a local alarm and foyntwnontas rumors that matching signs). We know that you are going to faint human figures in red and blue color, without ruling out according to some archaeologists to ' show ', to include and the dead. Unfortunately currently has no procedure for the nomination and study, not even a photo shoot with ultraviolet to learn more facts about the show. But when revealed will definitely be another possible element of storytelling of this monument, the Tomb that so far talks with beauty symbols, AWE and prestigious.

British Brigade Was Planning An Elgin-Style Robbery At Amphipolis

Messagetoeagle.com – Apparently stolen coins from the ancient site of Amphipolis are at the British Museum and in Germany.

They are believed to have been smuggled to these countries by soldiers passing through the area, such as the 2nd Kings Shopshire Light Infantry in 1916 and Nazi soldiers passing through the area during the German Occupation of Greece in WW2,” reported Protothema.

Artefacts at the British Museum are dated back to the 6th century B.C. They were probably stolen by British soldiers fighting Bulgarians in the region from 1916-1918 and some of the antiquities were donated to the museum by the soldiers.

Lion of Amphipolis

There has been no official request by the Ministry of Culture for the return of the smuggled antiquities as had been the case with the Parthenon Marbles.
“A British brigade was planning to transfer to London 1,000 pieces of the monument precinct, along with the statue of the lion.

Mr. Michalis Lefantzis, the architect who elaborated the draft of Kasta Tomb for the Ministry of Culture made a shocking revelation today, at the event dedicated to ancient Amphipolis.


Citing historical evidence, Mr. Lefantzis told the journalists attending the presentation that a British brigade was planning to transfer to London 1,000 pieces of the monument precinct, along with the statue of the lion.

On the day of the transfer, Austrian and Bulgarian troops attacked the British convoy and, as a result, the barges sunk in the river Strymonas and the ancient artifacts were "saved", reports Protothema.

Mr. Lefantzis also revealed that several local residents have been secretly returning parts of the precinct which they kept as mementos in their homes!”

The proud Lion of Amphipolis has been a trademark of the Greek region of Serres and a symbol of Macedonia in Northern Greece.

The 5.3-meter tall statue was found in 1912 after the 7th division of the Greek army found it at the base of the Strymonas River during drainage works there. A legend was started that no doubt the unknown sculptor of the work, realising that the Lion missed its tongue, threw it into the river so that nobody would see it.

Parthenon Marbles – c. 447–438 BCE – British Museum, London. Source: Wikipedia


August 1916, British soldiers building fortifications at the bridge of Amphipolis found the marble parts and tried to smuggle them to England, however their efforts were stopped when Bulgarians who had just seized Paggaion attacked them.

According to archaeologists, the "material of the Lions base had been re-used as a dam since the Roman era."

Historians and archaeologists initially believed that it was erected as a symbolic monument to express the power of Amphipolis. It is reminded that a few months ago, photo documents have emerged showing British soldiers of the 2nd Kings Shopshire Light Infantry posing with skulls excavated during the construction of trenches and dugouts in the area of Amphipolis.

Artifacts at the British Museum are believed to have been stolen by soldiers like them, fighting Bulgarians in the region from 1916-1918.

Mysterious Identity Of Amphipolis Tomb: Kasta Hill Still Has Many Secrets To Be Revealed

Messagetoeagle.com – Among the recent findings of Amphipolis’ Kasta Hill, there are coins of the era of Alexander III along with Roman coins and pottery.

There are no signs that Christians ever entered the tomb, the officials informed.

Coins depicting the face of Alexander the Great were discovered inside the Amphipolis tomb, Greece, announced head of excavations Katerina Peristeri during a press conference on Saturday.


According to Katerina Peristeri, head of excavations, the coins are dated around the 2nd century B.C., the era of the last Macedonian kings.

More from news conference

The coins will be photographed to be shown to the public after they are cleaned.

Another important finding was painted pottery that belongs to the 4th century B.C.

"We have so many pottery pieces we have hardly counted them,"Peristeri said.

Meanwhile, the suspense continues on who is buried in the magnificent tomb, the largest archaeological burial monument in Greece. Reporters asked several questions on the identity of the skeleton found and the condition it was found in,” reports The Greek Reporter.

"The bones were found inside and outside the burial pit,"said General Secretary of Culture Lina Mendoni.


"The skull was quite some distance away from the pit, the lower jaw was just outside the pit and the largest part of the skeleton was inside the pit.

A close look shows that the legs and arms are almost intact, rib bones and parts of the spine as well as the pelvic bones are in fragmentary condition, therefore it is impossible for archaeologists to say if they belong to a man or a woman. "

The depictions of human shapes and the inscriptions on the epistyle and other marble plates that may give more clues on the identity of the dead will be studied via ultraviolet rays, a process that has not started yet.

The monument was originally open to the public. It is estimated that it was looted some time during the Roman era and then it was sealed.